Half Nelson

Tracklisting

01. Wonder Girl
02. Fa La Fa Lee
03. Roger
04. High C
05. Fletcher Honorama
06. Simple Ballet
07. Slowboat
08. Biology 2
09. Saccharin And The War
10. Big Bands
11. (No More) Mr. Nice Guys



Reviews

'Sparks/A Woofer In Tweeter's Clothing: First two albums (in one) from the finest English band to come out of America...back in early-'70s America, a falsetto-led Anglophile pop group dealing in idiosyncratic sly wit and hinting at all kinds of weird sexuality were completely out of the loop, especially with a glowering, shaggy-haired Ron Mael looking like an escapee from an asylum for the criminally insane. Happily, producer Todd Rundgren (then no mean author of off-kilter pop himself) recognised budding genius and Europe followed.' (Ian Cranna, Q Online)

'Sparks established themselves as the greatest English band to come out of America since The Nazz...They could be everything in America that T. Rex have been in England, with the important difference that they deliver more than just another pretty face. Their combination of vaudeville and rock and roll could help define pop showbiz for the 70s...A lot of folks don't much like what they don't immediately understand and reduce to formula, but there are thousands of kids who won't look into the whole thing that deeply...' (Ron Ross, Record World, 28 October 1972)

'Weirdness is in now, but it's a certain definable type of weirdness, like David Bowie. In a way it's not really weird because people expect it. What Sparks does is simply beyond human comprehension.' ('Are You Stupid Enough for Sparks?' - Bruce Harris, 1972)

'The wunderkinder here are Russell and Ron Mael, who are writing rock’s best lyrics at this juncture, and possibly some of the best music. As there are essentially no rock ‘n ‘ rolll cliches used, the songs are a bit inaccessible at first, but that soon works itself out as one…appreciates the sheer ingenuity of the structures involved. This LP’s a real bijou amongst hot rocks, so if ya see it ya oughta get it.' (Dann DeWitt, Fusion Magazine, June 1972)

Todd Rundgren: 'Sparks is interested in affecting people. You can't be indifferent to them...Both albums are as good as Sgt. Pepper's. Though they're certainly not equivalent social milestones, they resemble it in that their music is obviously and totally different from anything we've heard before.' (Bruce Harris, 1972)




Lyrics

01. Wonder Girl (Ron Mael)

She was a wonder girl (some girl, that girl)
It was a grand old time we had
She was there and I was pretty glad about that too
Knowing that she knew a thing or two
She was a wonder girl (some girl, that girl)
She was a wonder to her friends
It's a wonder that she always started trends
And after all, trends make us contenders in the Fall
Wonder girl, do me right at this ungodly hour
She was a wonder to her dad
A self-made man who owned all that he had
And after all, self-made men have daughters who just won't ball
Wonder girl, make me a wonder boy
She was a wonder girl (some girl, that girl)

02. Fa La Fa Lee (Ron Mael)

Fa la fa lee, she ain't heavy she's a brother to me
What I need, she can't be
Nature, nurture, who's to say?
But still fa la, fa lee
Anything between us is a felony
Fa la fa lee, she thinks only of the higher parts of me
Such a shame, were I she
I'd set my sights much lower then I'd sing
fa la fa la fa lee
But as it stands now that would be a felony
I sing fa la fa lee, but as it stands now
that would be a felony

03. Roger (Russell Mael)

I'm picking up where I once left off in the
search for a justified balance between the
wealth that I have now and the wealth
that they all want to have
Let's ask Roger if he knows what I mean
Roger, Roger, let's take your Sue
How does she do it Roger, how does she do it, Roger?
Roger, Roger, has Sue got the balance right
for you, Roger, I ask you Roger, has she
got the balance right for you?
Has she got it, has she got it?
Roger, Roger, Roger, Roger

04. High C (Ron Mael)

A picket fence, I leaped it
Through your screen door, I gotta meet you
High C up and High C down
Since you left the opera you just frown a lot and mumble, 'I'm humble.'
Press clippings hang from torn wallpaper
A dust covered phone, no one would ring her
High C up and High C down
Since you left the opera you just frown a lot and you tell me
Tell me of the times when you were so big in Vienna
And the people paid good money just to hear
you in your splendor
But that's all over now That's all over now
Limited tastes, I wish I could help you
A rock-headed lad, I have got to help you
High C up and High C down
Since you left the opera you just frown a lot and mumble, 'I'm humble.'
Come on home with me and will sing our little hearts out
We will hit High C or maybe somewhere thereabouts
Somewhere thereabouts

05. Fletcher Honorama (Ron Mael)

Fletcher Honorama won't you rally 'round the man who's on a limb?
Sing the songs that please him very softly while we jolt him with a hymn
Please, go easy now with him
Because this is his final whim
So be sure that the boy don't die before the morn
Fletcher Honorama shall we justify the eighty Junes you've seen?
Since that might be stretching things we'll
merely sing the songs that made you scream
Please, go easy now with him
Because this is his final whim
So be sure that the boy don't die before the morn
Intakes and mistakes and lunch pails and
headaches were willed to your one living twin
I think that maybe you should have kept half
of them, after all you worked for them
After all you worked for them
Telecast in fifty states and brought to you
by Anti-Wrinkle Dew
That's Fletcher Honorama see the world
now from a different point of view
You, go easy now with him
Because this is his final whim
So be sure that the boy don't die before the morn
So be sure that the boy don't die before the morn

06. Simple Ballet (Ron & Russell Mael)

In the city, in the country, in the towns throughout the world
All will join in, in the big scene,
So won't you please take off your shoes?
It's a ballet, simple ballet, so let's dance on
Pick a partner, take a tall one, take a small
one, take a fat one and let's dance on
Crews will film it, add the music, while the world has its feet engaged
Some critics love it, yet some pan it, some say 'it's likely to cause a rage'
There'll be long shots, there'll be close shots, there'll be mid-shots
Simple ballet was an idea, then a novel, next a movie, soon on T.V.
It's promotion of a new way of thinking
Instead of 'Hey, orange drink,' vendors
will say, 'get your souvenir posters of the ballet.'
Do a plie for the D.A. when he comes round
Your alleged conduct with the director has
raised some questions that he wants
answered (Good for the ratings)
It's a ballet, we thought a ballet and we danced on
We had no idea you'd hang out your coat on an
issue thin as tissue so we danced our ballet
And we danced our ballet
And we danced our ballet

07. Slowboat (Ron & Russell Mael)

Slowboat takes me to your home everyday
And I wait for you knowing that you won't come home, just today
For you've found someone new and you'll bid me adieu
And I leave you now, but I'll come back another day
Oooh, sail me far away
Slowboat, bring me back another day
Oooh, sail me far away
Slowboat sail off toward the seventh sea
Far away from you, but somehow coming close again and again
And again as we near from some sign it appears
That you won't come home, you won't come home just today
Oooh, sail me far away
Slowboat, bring me back another day
Slowboat takes me where I'll always be
Far away from you, but knowing that you won't come near me but you hear me
And you'll always be a true love to me
Though you're never home, I'll come back another day
Oooh, sail me far away
Slowboat, bring me back another day

08. Biology 2 (Earle Mankey)

'Hey Lisa, they're having a big party down at the Allele Pool tonight!'
'Oooh, let's do it!'
You will put your good traits in
You will put your bad traits out
Do the Homozygous as you shake them all about
Unless you've got your dominance down in
your genes you'll have a kid, invalid
just like Mendel's beans
Oh hold me, you know you are my one and only phenotype
And together we could have a genotype
Darwin willed that we would do or die
Brains and brawn are both in great supply
Kalikaks a-swimmin' back and forth will multiply
You could choose your ancestors and grow just like a weed
Pick a stud to congeal your blood, and get your earlobes freed

09. Saccharin And The War (Russell Mael)

Fifteen years the bus had waited
Before it moved on into the town
Eye liner worn by all their girls
Through the night the war was fought
Each 'eye liner' took two small drops
Reaction - Elation - Joy, Joy, Joy
Every girl took in a doctor
The Constitution says: 'you must house the men'
Each doctor undermined a plot
All the weight that was soon lost
They erected as a golden cross
Remember the weight is no longer here
Through the street girls sang
The marching bands brought on the rain
The Doctors stood by the gold cross
One 'eye liner' she had an idea
She read the Book, the Golden Book
It seems another Man had come across a cross
Dr. Jones they crucified
But, all their weight was returned back
Ha, Ha for all the girls now

10. Big Bands (Ron & Russell Mael)

I smile like Herbert Hoover when they play
I dream of banker's daughters, better days
Care to dance my lady
Live near here?
They certainly sound in fine form, do you care?
I am quite partial
Broke, spent, I still marshall (all my strength when big bands play)
Follow me my lady to my home
See my large collection, some on loan
Of every big band record ever made
I had to sell my heater, so don't shake
I am quite partial
Broke, spent, I still marshal all my strength when big bands blare
I smile like Herbert Hoover when the big bands play
I dream of banker's daughters, better days
For I am quite partial
Broke, spent, I marshal all my strength when big bands play
Knowing of their flare for filling empty
stomachs, empty hearts, they're not so
far apart, they're not so far apart
And if you can't sleep late one night, it's not your coffee, it's the bunk
I am quite partial
Broke, spent, I still marshall all my strength
I smile like Herbert Hoover when the big bands play
I frequent the dance halls most every night into the day
I know the name of every trombone player that exists
They don't know I used to blow before the Crash had hit our land
Before the Crash
I find it so much warmer in the ballroom than at home
A common bond unites us so we're really not alone
Sure we've got some problems, but tonight we won't admit it
Take my hand my lady friend, we'll make it seem like we were there tonight

11. (No More) Mr. Nice Guys (Jim Mankey, Ron Mael)

Just when sin is quite the thing, there's one
who holds quite tight to what had worked before
What's his outlet, what's his secret, is it
something one can buy at some drug store?
Could the gospel be his girl, does he exercise by breaking 2 by 4's?
Just what is his game?
Could he be enticed?
No one's quite that lame
No one's quite that nice
No more Mr. Nice Guys
Few are left but him
No more Mr. Nice Guys
The Nice Guys cannot and the Nice Guys
shall not, the Nice Guys will not win
She expressed a strong desire in relieving him of his anxiety
She succeeded very well for now she's mother to a nice family
If you had to call a winner you would call it her, though she might disagree
He could be enticed
His game had to end
But he's still quite nice
She sees other men than him
No more Mr. Nice Guys
Nice guys won't suffice
No more Mr. Nice Guys
The Nice Guys cannot and the Nice Guys
shall not, the Nice Guys won't suffice



Credits

Halfnelson:
Produced by Todd Rundgren
Engineered by James Lowe
Vocals: Russell Mael
Keyboards: Ron Mael
Guitar: Earle Mankey
Bass Guitar and Guitar: Jim Mankey
Drums: Harley Feinstein
Album Design: Ron Mael
Photography: Larry Dupont